Greek mythology records the Three Graces, considered the fairest daughters of Zeus and Eurynome, as representatives of the blessings of nature. Followers believed that each spring, their fertility dance caused seeds to sprout and flowers to bloom. On another creative level, the young goddesses were believed to influence artistic achievement. While Boticelli’s expression of the soft, linear forms inherent in the Three Graces influenced the rebirth of classical mythology, Richard MacDonald is inspired to foster the renaissance of figurative art with his own interpretation of “grace.” Employing the classical tradition of undulating lines, precise contour and soft, fair forms, MacDonald created first his masterpiece “The Three Graces” followed by an exploration into the personae of each of the three sisters, Agalia, Euphrosyne and Thalia.

In 2014 and 2015, Richard MacDonald focused intently on the minerals and pigments of his patina process - specifically on the color red. Shortly thereafter, the artist revealed his discoveries in a new exhibition entitled “Richard MacDonald: Red.” The exhibition, which highlights MacDonald's creative immersion into the hue, the emotion, and narrative of color, represents a profound new direction in the artist's work.