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Richard MacDonald American, b. 1946
Sissone, Half Life, Platinum, 2012
Bronze with platinum patina
63 x 35 x 12"
201609-2117
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After devoting more than twenty years to the perfection of the human form in bronze, Richard MacDonald focused on a series of sculptures based on his work with dancers from...
After devoting more than twenty years to the perfection of the human form in bronze, Richard MacDonald focused on a series of sculptures based on his work with dancers from the Royal Ballet. The studies were designed to be the groundwork for the creation of a monumental Grand Coda. In Sissone, there is a flame-like quality to the beautiful shape the dancers body takes in this position, which Richard MacDonald has captured in all its brilliance. Here the elegant lines of the dancers form, as perfected as she is, show the athleticism in her artistry and we are reminded of the essential perfection of the human form.
Warm, silvery, and rare, the platinum patina of this distinctive series by Richard MacDonald creates a play of light that heightens our sense of the underlying sculpted form. Contemporary in conception and limited to editions of only eight, with some works featured as one-of-a-kind, this body of work reveals the essential beauty of the human form. As mercurial as human nature itself, light glances off the platinum creating dramatic shadows that seem to strengthen form and enhance the sense of life captured by the artist.
Warm, silvery, and rare, the platinum patina of this distinctive series by Richard MacDonald creates a play of light that heightens our sense of the underlying sculpted form. Contemporary in conception and limited to editions of only eight, with some works featured as one-of-a-kind, this body of work reveals the essential beauty of the human form. As mercurial as human nature itself, light glances off the platinum creating dramatic shadows that seem to strengthen form and enhance the sense of life captured by the artist.
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