Chuck Close American, b. 1940
Lucas, Paper/Pulp, 2006
Stenciled handmade paper print in nine colors
48 x 40"
201609-1275
Further images
One of the most arresting works in Close's oveuvre is Lucas, Paper/Pulp. This large-scale black-and-white artwork looks, at a glance, like an Impressionistic rendering made up of blobs of white,...
One of the most arresting works in Close's oveuvre is Lucas, Paper/Pulp. This large-scale black-and-white artwork looks, at a glance, like an Impressionistic rendering made up of blobs of white, gray, and black paint. But look closer: the work is actually made of paper pulp in varying shades, which has been squeezed through stencils in many layers to create the final image.
One of the things that makes Close’s work fascinating to study is the method he uses to create them. Close suffers severe dyslexia and “face blindness,” or prosopagnosia which makes it very difficult to remember and recognize faces. He found contemplating an entire face at once to be “overwhelming,” and so he began breaking faces up into gridded segments, focusing on each square individually. The process was also a means of helping the artist imprint the faces of loved ones on his memory. Considered the pioneer of Photorealism, Close once said "By putting little marks together, a face becomes a road map of someone's life."
Created in 2006, this piece is a stenciled handmade paper print in nine colors It is hand-signed by Chuck Close in pencil in the lower margin and numbered from the edition of 50. The work is floated in a white-washed maple frame.
One of the things that makes Close’s work fascinating to study is the method he uses to create them. Close suffers severe dyslexia and “face blindness,” or prosopagnosia which makes it very difficult to remember and recognize faces. He found contemplating an entire face at once to be “overwhelming,” and so he began breaking faces up into gridded segments, focusing on each square individually. The process was also a means of helping the artist imprint the faces of loved ones on his memory. Considered the pioneer of Photorealism, Close once said "By putting little marks together, a face becomes a road map of someone's life."
Created in 2006, this piece is a stenciled handmade paper print in nine colors It is hand-signed by Chuck Close in pencil in the lower margin and numbered from the edition of 50. The work is floated in a white-washed maple frame.
Related artworks
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Chuck CloseJanet, 1988Reduction Block Linocut33 x 22.13" -
Chuck ClosePhil, Fingerprint, 2009Screenprint in 25 colors56 x 44"
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Chuck CloseSelf Portrait, White on Black, 1997Spitbite Etching20.5 x 15.75"
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Chuck CloseSelf-Portrait Woodcut, 2007Forty-seven color Ukiyo-e woodcut hand-printed from 39 woodblocks onto Shiramine paper40 x 32.5"
