Between the years of 1946 and 1956, Pablo Picasso pulled concepts from his earlier creations, a series of drawings and watercolor, in order to form Faune et Centaur, 1956. Pochoir -- a printing technique that produces refined, crisp lines and brilliant colors -- as a favorite for Femmes et Faunes. Picasso’s authorization for the reproduction of these prints is demonstrated by the fact that the paper of each print is impressed with a water mark reading, “Ceci est une reproduction Picasso”, together with the artist’s signature. Without the inclusion of the watermark, you could be forgiven for believing that you were holding an original Picasso drawing.

Faune et Centaur is printed on BFK Reves paper. Signed 'Picasso' in the plate upper left.

The piece is framed to museum-grade, conservation standards, presented in a complimentary moulding and finished with 8-ply acid free rag mat and optical grade Plexiglass.