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Blanc Noir Collection

Richard MacDonald, Whiteface, Half Life, Blanc Noir, 2002

Richard MacDonald American, b. 1946

Whiteface, Half Life, Blanc Noir, 2002
Bronze with black and white patina
38 x 24 x 21"
201609-1464
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“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at investing his evocative bronze images with movement and life is never more evident than in his innovative and eloquent mimes. Sometimes enigmatic and most assuredly metaphoric, MacDonald’s engaging performers invite the audience to be its own storyteller. Continuing in the spirit of his classical mimes, Richard MacDonald’s masterwork entitled “Whiteface” offers us an experience with whim, movement, and joy. The skillful modeling and effective use of patina amplify the physical and emotive strength of the work. As the mime moves to cover his pursed lips with his index finger, we hear him blow the sound of requested silence. In the spirit of sculpture by Botero, Maillol, and Matisse, Richard MacDonald’s Blanc Noir series focuses on form and the intrinsic natural beauty of the sculpture without the distraction of color and pattern. The pure play of light over white caresses the form in all its subtleties, while the black absorbs the detail, creating mysterious shadows and focusing the eye on the overall silhouette. The artist selects only a handful of sculptures from his overall body of work for the Blanc Noir series. He then creates the smallest editions in his repertoire so as to ensure the uniqueness of each piece and captivate the most astute collector.
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“A silent medium within a silent medium.” These are the words contemporary master Richard MacDonald uses in describing his world renowned Mime Series. MacDonald’s trademark skill at investing his evocative bronze images with movement and life is never more evident than in his innovative and eloquent mimes. Sometimes enigmatic and most assuredly metaphoric, MacDonald’s engaging performers invite the audience to be its own storyteller. Continuing in the spirit of his classical mimes, Richard MacDonald’s masterwork entitled “Whiteface” offers us an experience with whim, movement, and joy. The skillful modeling and effective use of patina amplify the physical and emotive strength of the work. As the mime moves to cover his pursed lips with his index finger, we hear him blow the sound of requested silence.
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